摘要：
本文目錄天安門(mén)廣場(chǎng)導(dǎo)游詞中英文版與導(dǎo)游有關(guān)的書(shū)籍懸空寺中英文導(dǎo)游詞一、天安門(mén)廣場(chǎng)導(dǎo)游詞中英文版天安門(mén)，坐落在中華人民共和國(guó)首都北京市的中心、故宮的南端，與天安門(mén)廣場(chǎng)以及人民英雄紀(jì)念... 本文目錄
一、天安門(mén)廣場(chǎng)導(dǎo)游詞中英文版
天安門(mén)，坐落在中華人民共和國(guó)首都北京市的中心、故宮的南端，與天安門(mén)廣場(chǎng)以及人民英雄紀(jì)念碑、毛主席紀(jì)念堂、人民大會(huì)堂、中國(guó)國(guó)家博物館隔長(zhǎng)安街相望，占地面積4800平方米，以杰出的建筑藝術(shù)和特殊的政治地位為世人所矚目。
Tian’anmen( the Gate of Heavenly Peace), is located in the center of Beijing. It was first built in 1417 and named Chengtianmen( the Gate of Heavenly Succession). At the end of the Ming Dynasty, it was seriously damaged by war. When it was rebuilt under the Qing in 1651, it was renamed Tian’anmen, and served as the main entrance to the Imperial City, the administrative and residential quarters for court officials and retainers. The southern sections of the Imperial City wall still stand on both sides of the Gate. The tower at the top of the gate is nine-room wide and five–room deep. According to the Book of Changes, the two numbers nine and five, when combined, symbolize the supreme status of a sovereign.During the Ming and Qing dynasties, Tian’anmen was the place where state ceremonies took place. The most important one of them was the issuing of imperial edicts, which followed these steps:
1) The Minister of Rites would receive the edict in Taihedian( Hall of Supreme Harmony), where the Emperor was holding his court. The minister would then carry the decree on a yunpan( tray of cloud), and withdraw from the hall via Taihemen( Gate of supreme Harmony)
2) The Minister would put the tray in a miniature longting( dragon pavilion). Beneath a yellow umbrella and carry it via Wumen( Meridian Gate), to Tian’anmen Gate tower.
3) A courtier would be invested to proclaim the edict. The civil and military officials lining both sides of the gateway beneath the tower would prostrate themselves in the direction of the emperor in waiting for the decree to the proclaimed.
4) The courtier would then put the edict in a phoenix-shaped wooden box and lower it from the tower by means of a silk cord. The document would finally be carried in a similar tray of cloud under a yellow umbrella to the Ministry of Rites.
5) The edict, copied on yellow paper, would be made known to the whole country.
Such a process was historically recorded as“ Imperial Edict Issued by Golden Phoenix”.During the Ming and Qing dynasties Tian’anmen was the most important passage. It was this gate that the Emperor and his retinue would go through on their way to the altars for ritual and religious activities.
On the Westside of Tian’anmen stands ZhongshanPark( Dr. Sun Yat-sen’s Park), and on the east side, the Working People’s Cultural Palave. The Park was formerly called Shejitan( Altar of Land and Grain), built in 1420 for offering sacrificial items to the God of Land. It was opened to the public as a park in 1914 and its name was changed in 1928 to the present one in memory of the great pioneer of the Chinese Democratic Revolution.The Working People’s Cultural Palace used to be Taimiao( the Supreme Ancestral Temple), where tablets of the deceased dynastic rulers were kept.
The stream in front of Tian’anmen is called Waijinshuihe( Outer Golden River),with seven marble bridges spanning over it. Of these seven bridges,historical records say the middle one was for the exclusive use of the emperor and was accordingly called Yuluqiao( Imperial Bridge). The bridges flanking it on either side were meant for the members of the royal family and were therefore called Wanggongqiao( Royal’s Bridges). Farther away on each side of the two were bridges for officials ranking above the third order and were named Pinjiqiao( ministerial Bridges). The remaining two bridges were for the use by the retinue below the third order and wre called Gongshengqiao( common Bridges). They anr the one in front of the Supreme Ancestral Temple to the east and the one in front of the Altar of land and Grain to the west.
The two stone lions by the Gate of Tian’anmen, one on each side were meant as sentries. They gaze toward the middle axis, guarding the emperor’s walkway. In front of the gate stands a pair of marble columns called Huabiao. They are elaborately cut in bas-relief following the pattern of a legendary dragon. Behind the gate stands another pair of similar columns. The story of Huabiao may be traced to a couple of sources. One of the versions accredits its invention to one of the Chinese sage kings named Yao, who was said to have set up a wooden pillar in order to allow the ordinary people to expose evil-doers, hence it was originally called a slander pillar. Later it ws reduced to a signpost, and now it serves as an ornament.
各位朋友：現(xiàn)在呢，我們來(lái)到了天安門(mén)廣場(chǎng)，我先為大家做一個(gè)簡(jiǎn)單的介紹，天安門(mén)廣場(chǎng)是目前世界上最大的城市中心廣場(chǎng)，它位于北京市區(qū)的中心.天安門(mén)廣場(chǎng)呈長(zhǎng)方形，南北長(zhǎng)880米，東西寬500米，總面積 44萬(wàn)平方米。如果人們肩并肩地站在廣場(chǎng)上，整個(gè)廣場(chǎng)可容納100萬(wàn)人，就是說(shuō)全北京總?cè)丝诘?/13都可以同時(shí)站在這里，夠大的吧!
在明清時(shí)期廣場(chǎng)可沒(méi)有這么大，當(dāng)時(shí)它呈“T”字形，“T”字的那一橫就是我們今天的長(zhǎng)安街，那一豎就是從現(xiàn)在的國(guó)旗桿前至毛主席紀(jì)念堂前的這一長(zhǎng)條形區(qū)域，在這一區(qū)域的兩側(cè)是按文東武西的格局分布著當(dāng)時(shí)政府機(jī)關(guān)。解放后，原來(lái)廣場(chǎng)兩側(cè)的建筑被拆除，從而形成了今天廣場(chǎng)的基本格局。
在天安門(mén)廣場(chǎng)的四周，有很多著名的建筑，現(xiàn)在我為大家以順時(shí)針?lè)较蜃鲆粋€(gè)簡(jiǎn)單介紹，就讓我們以廣場(chǎng)西側(cè)的人民大會(huì)堂開(kāi)始吧!人民大會(huì)堂位于天安門(mén)廣場(chǎng)西側(cè)，是全國(guó)人民代表參政、議政、舉行重大會(huì)議，當(dāng)家作主行使主權(quán)的地方，建成于1959年，最高處46.5米，是現(xiàn)在廣場(chǎng)上的最高建筑。整個(gè)大會(huì)堂由三部分組成，南部為人大常委會(huì)辦公樓，中部為萬(wàn)人大會(huì)堂，北端是國(guó)宴大廳，整座建筑自設(shè)計(jì)到完工只用了10個(gè)月，是我國(guó)建筑史上的一個(gè)奇跡。
在廣場(chǎng)的北端是大家都很熟悉的天安門(mén)城樓，它是新中國(guó)的象征，就是在天安門(mén)城樓上，1949年10月1日毛主席向全世界人民莊嚴(yán)宣告，“中華人民共和國(guó)成立了!中國(guó)人民從此站起來(lái)了!”：
二、與導(dǎo)游有關(guān)的書(shū)籍
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三、懸空寺中英文導(dǎo)游詞廈門(mén)自助游導(dǎo)游
懸空寺位于山西省大同市渾源縣恒山金龍峽西側(cè)翠屏峰的峭壁間，懸空寺中英文導(dǎo)游有哪些？以下是我為您整理的相關(guān)資料，歡迎閱讀！
Hanging Temple is located in Shanxi County of Hunyuan Province, is in the cliff hole, the wooden beam, temple part of the building on the rack in the above this a wooden beam, another part is using the outstanding rock as its foundation. The visitors in the distance to see the beams, but to see the bottom oblique temple to many joinery. Visitors will think: these long poles can withstand such a temple? When people observe carefully, found that in addition to withstand the weight of the wood, and the huge wooden rock, the ancient craftsmen wisdom, have issued a heartfelt sigh and admiration. Hanging Temple was founded in the late Northern Wei Dynasty, about 1400. All over the past dynasties, but the original structure has not changed.
The previous introduction of Hanging Temple, summarized as:"in the face of Mt. Hengshan, backed by Ping; upload rock, facing the valley; stone Berezovsky, on the rocks to build houses; the structure of adventure, strange shape."
After entering the temple, there are stairs climbing stairs, here is not how thrilling, but when you upstairs, close to the cliffs along the channel, go from south to north, through a path along the cliff, go to the north side of the three layer three eaves Pavilion, you will find the terrain here is very high. Look up,"carry the dangerous rock"; look down,"next to the deep valley", the floor of the floor sloshing feeling, really thrilling, dangerous to. Built in the cliff palace depth is smaller, the statue is relatively narrow inside the body, but the proportion of moderate, rich expression, great artistic value. There are more than 40 halls in the temple, all of which are wooden structures. Their positions are deployed, and there are changes in symmetry. Visitors walk among the corridors, such as a maze, and can not even find a way out. This is a feature of the architectural design, is not rigid, but not messy, give people a mysterious sense of twists and turns.
In the temple of the path along the cliff cliff, engraved with the"real one" four characters, the construction of Hanging Temple art appreciation. Gongshu is Luban, also called the real class, the Warring States era, is considered to be the master builders. These four words are said, the building is just like Luban Art beats nature. craftsmen for.
懸空寺位于山西省渾源縣，是在懸崖上鑿洞，插入木梁，寺的一部分建筑就架在這一根根木梁之上，另一部分則利用突出的巖石作為它的基礎(chǔ)。游人在遠(yuǎn)處見(jiàn)不到這些木梁，卻見(jiàn)到不少細(xì)木斜頂住寺的底層。游人會(huì)想：這些顫顫悠悠的木柱能頂?shù)米∵@樣一座寺廟嗎？當(dāng)人們仔細(xì)觀察，發(fā)現(xiàn)承受重量的'除了木柱外，還有那些插入巖石的巨大木梁后，對(duì)古代匠師的智慧，不得不由衷地發(fā)出感嘆和敬佩了。懸空寺始建于北魏后期，距今約1400年。歷代都重修，但原來(lái)的結(jié)構(gòu)都沒(méi)有改變。
前人介紹懸空寺，概括為：“面對(duì)恒山，背倚翠屏；上載危巖，下臨深谷；鑿石為基，就巖起屋；結(jié)構(gòu)驚險(xiǎn)，造型奇特?！?/p>
進(jìn)寺后，有樓梯可攀登上樓，這里并不顯得多么驚險(xiǎn)，但當(dāng)你在樓上，沿著緊貼在崖壁的通道，由南往北走，通過(guò)一條棧道，走到北邊的那座三層三檐的樓閣時(shí)，就會(huì)發(fā)現(xiàn)這里地勢(shì)已相當(dāng)高。往上望，“上載危巖”；往下看，“下臨深谷”，腳下的樓板又有晃動(dòng)的感覺(jué)，真是驚心動(dòng)魄，驚險(xiǎn)之至。建在崖壁上的殿堂進(jìn)深都較小，殿內(nèi)的塑像形體也相對(duì)縮小，但比例適度，表情豐富，很有藝術(shù)價(jià)值。寺中共有殿堂40余處，都是木結(jié)構(gòu)，其位置部署，對(duì)稱(chēng)中有變化，分散中有聯(lián)絡(luò)。游人們?cè)诶葯陂g行走，如如迷宮，甚至?xí)也坏匠雎?。這正是其建筑構(gòu)思的一個(gè)特色，既不呆板，又不零亂，給人以曲折玄妙之感.
在寺的棧道石壁上，刻有“公輸天巧”四個(gè)大字，贊賞懸空寺的建造技藝。公輸就是魯班，也叫公輸班，春秋戰(zhàn)國(guó)時(shí)代人，被認(rèn)為是建筑工匠的祖師爺。這四個(gè)字是說(shuō)，這座建筑物簡(jiǎn)直是魯班那樣巧奪天工的匠師所為。
